Select the gadget or display you wish to edit with the R controller beam
R trigger to confirm (the white frame turns yellow)
Move the cursor with the L stick
Basic Controller Operation
L controller
L stick
Cursor Movement
X button
Play / Stop Start and stop a song. Long press initiates record mode, during which gadget performance and knob operations are recorded.
Y button Menu Button
Open Menu Opens the menu at the current cursor location.
L trigger +R stick
Fine-Adjust Gadget Knob / Fader
L trigger +L stick
Change the viewpoint
L grip +L Stick
Adjust Note Length by the grid On the piano roll screen, you can adjust note length by the grid.
R controller
R stick
Adjust Gadget Knob / Fader
A button
Setting Used to select current item and to advance.
B button
Cancel Cancel the currently open menu.
R trigger
Edit Mode Enter edit mode with the selected gadget, mixer or display
R grip
Select Range On the piano roll screen, you can select range.
Save / Load Operations
From the menu, select “Save” or “System” → “Load” to save or load a song.
Song data is stored in the following (Steam only) C:\Users\(Username)\AppData\Local\GadgetVRGame\Saved\Songs (Both .gs and .png file of the same name are required to load)
Overview Screen Operations
View or edit an entire song on this screen.
Track
Each vertical column makes up a part of a song, and corresponds to one gadget instrument. Arrange several gadget instrument tracks, such as drum track, bass track etc, to create a song.
Clip
A “clip” is a sequence of notes. The gadget instruments on each track perform these notes during playback. Each track can be set individually, and the number of bars in each clip can vary.
Scene
The horizontal blocks in each song represent scenes. The clips in each track are played back simultaneously. Songs are constructed by placing together a variety of scenes. For example, “Introduction”, “Melody A”, “Bridge” etc.
Main Operations
Song Setting
Select “Song Settings” from the menu to set the song title, tempo, and swing.
Convenient Functions
Mute Clip / Unmute Clip
You can mute/unmute the clip at the cursor.
Piano Roll Screen Operations
This screen allows one to display/edit notes for currently selected clip
Main Operations
Place / Remove Note
Pressing the A button places a note at the current cursor location. If there is already a note there then it is replaced. While the A button is pressed, you can use the L stick to adjust the length of the note by moving left or right.
Adjust Note Length
Move the R stick left or right to shorten or lengthen the note at the cursor. Hold L grip to change the length by the grid.
Set Clip Length
Select “clip length” from the menu to set the number of bars in a clip. The maximum is 8 bars. Also, selecting “Display Range” from the menu will allow you to set the number of bars displayed on the screen.
Grid Settings
By setting the “Grid” in the menu, you can set the grid to display with 8th note or 16th note resolution. Also, when adding notes they automatically snap to the grid.
Editing Velocity (volume)
Selecting “Edit Velocity” from the menu to display the note velocity (volume). Move the R stick or touch to adjust the velocity.
Edit Automation
Selecting “Edit Automation” from the menu will display the gadget parameters. Use the R stick to adjust them up or down.
Convenient Functions
Select Range (combined edit)
To select a range or “Select/Select Range” from the menu, hold the R grip and move the cursor. This makes it possible to edit or delete multiple notes simultaneously.
Duplicate
Double the length of the clip, including the notes in the clip.
Copy & Paste
After copying a range, select “paste” from the menu and select a location to paste the information.
Undo
Select “undo” from the menu to undo the previous operation.
Display Scale Tones
On the piano roll screen, notes that are not members of the selected scale are displayed with diagonal lines. It is possible to create a musical tune just be avoiding the notes with hatched lines.
Gadget / Mixer Operations
Edit parameters for gadget instruments and the mixer.
Main Operations
Knob, Fader Operation
When a Knob or fader is selected, moving the R stick will adjust the associated parameter.
Parameter Adjustment
Holding the L trigger when using the R stick to make parameter adjustments will allow for more detailed setting.
Controller Motion Parameter Operation
When a Knob or fader is selected, hold down the A button and move the L controller left, right, up, or down to adjust parameters.
Convenient Functions
Save User Presets
To save the current sound, select “Save User Preset” from the menu and assign it a name. Saved user presets may be used in other songs.
Delete
User Presets
To delete a user preset, select the user preset that you wish to delete and then select “Delete User Preset” from the menu.
Play/Record Operations
Loop Playback for Scenes
Playing back the selected scene repeatedly. Select “Menu” → “Playback/Recording” → “Scene Loop Playback” to turn on/off this function.
Loop Playback for Song
The entire song is played back repeatedly. Select “Menu” → “Playback/Recording” → “Song Loop Playback” to turn on/off this function.
Recording
Long-press the Y button to enter recording mode. Keyboard performances on the gadget will be recorded.
Recording Knob and Fader Operations (automation)
Operations conducted on the knobs and faders of a gadget while in record mode are also recorded.
Tech Glossary
Track
This represents one part of a song, corresponding to one gadget. A song is made using multiple gadgets, for example a drum track, a bass track, etc.
Clip
A “clip” is a collection of note data. The gadget instruments on each track play the notes in the clip. Each track can be set independently, and each clip may have a different number of bars.
Scene
Horizontal columns are blocks making up a song. The clips on each track are played at the same time. A song is composed of "scenes" such as "INTRODUCTION", "MELODY A", "BRIDGE", etc. in units of bars.
Gadget
This is the name for our compact synthesizers and drum machines.
Note
A note contains pitch and duration information.
Velocity
This controls the volume of a note.
Scale / Key
Set the scale and the key of a given tune.
Automation
Record the movement of a gadget's nobs and sliders.
Quantize
Adjust the timing of recorded notes.
User Preset
Customized gadget sounds created by the user can be saved.
Settings
Move to the front
The selected display or gadget moves to the front.
Auto Select
Automatic selection and confirmation of displays and Gadgets.
Oscillators are responsible for creating basic sound waves.
A variety of oscillators are available for the creation of basic waveforms such sawtooth waves and square waves, PCM waveforms appropriate for the reproduction of acoustic instrument gadgets, and VPMs that make it easy to create brass instrument gadgets.
Filter / VCF
Filter reduce or enhance certain ranges of the sounds produced by oscillators to create a more distinctive tone.
Filters can include low pass filters that cut the high frequencies to produce a soft tone, high pass filters that cut out the low frequencies to create bright tones, and bandpass filters that reduce only specified frequencies.
Amp / VCA
These are used to set the volume, pan, etc.
These amplify the sound created by oscillators and filters.
Envelope Generator
Sounds tend to have a fixed volume curve.
For example, when a piano key is struck it is suddenly loud, and then it slowly dissipates.When you release your finger from the keyboard, you will hear a bit of reverberation.Such a curve creates the distinctive sound of each instrument.
Such changes can also affect the tone and the pitch of the sound as well as the volume.It is an Envelope Generator that produces these changes.
There are EGs that filter the tone color, and EGs that act as amplifiers to change the volume.
Low Frequency Oscillator
An LFO oscillates the low frequencies.
This effect is commonly used to apply vibrato (use an LFO to adjust the pitch up and down), apply a “wah” effect (use an LFO to move the tone color up and down), or to create a tremolo effect (use an LFO to move the volume up and down)
Effect / FX
A variety of useful functions can be used to apply various acoustic effects such as distortion, swell, and echo to the sound.
You can make the sound completely different from the original sound, and you can also achieve a wide stereo effect.
Synth Gadget
Marseille
With its workstation-like looks, this polyphonic synthesizer gadget offers a broad selection of standard keyboard sounds, brass, strings, and synth sounds. When you need a piano or electric piano, this gadget will deliver. There’s a “Chord” function that lets you produce chords of the scale you specify, making it simple to create a chord progression with no wrong notes
PROGRAMS
Tap a program name to select it. Using the category buttons on the left, the programs in each category can be displayed.
OUTPUT
LEVEL
This sets the volume.
ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
EFFECTS
FX SELECT
Select the effect to be applied.
EFFECT TYPE
This selects the effect type.
EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.
EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.
CHORD
This turns the global chord function on or off. When this is turned on, chords along the specified scale can be played.
1
Marseille Piano
Piano/Keys
2
M1 Piano
Piano/Keys
3
SG Piano
Piano/Keys
4
Toy Piano
Piano/Keys
5
InstaPiano
Piano/Keys
6
Elec Piano 1
Piano/Keys
7
Elec Piano 2
Piano/Keys
8
Dyno E.Piano
Piano/Keys
9
Wurly Piano
Piano/Keys
10
Clav 1
Piano/Keys
11
Clav 2
Piano/Keys
12
wah clav
Piano/Keys
13
Harpsichord
Piano/Keys
14
M1 Organ
Organ
15
CX Organ
Organ
16
Rotary CX Organ
Organ
17
VOX Organ
Organ
18
Pipe Organ
Organ
19
Musette
Reed Instruments
20
Tape Strings
Bowed Strings
21
Tape Violins
Bowed Strings
22
Tape Flute
Flute
23
Strings Ensemble
Bowed Strings
24
Slow Strings
Bowed Strings
25
Strings Quartet
Bowed Strings
26
Strings Vibrato
Bowed Strings
27
Strings Pizz
Bowed Strings
28
Sync Strings
Bowed Strings
29
Solar Strings
Bowed Strings
30
Ertu
Bowed Strings
31
Choir 1
Vocal
32
Choir 2
Vocal
33
Choir 3
Vocal
34
Vocoder Voice
Vocal
35
Brass Ensemble
Brass
36
Trumpet
Brass
37
Mute Trumpet
Brass
38
Trombone
Brass
39
Alto Sax
Reed Instruments
40
Bright sax
Reed Instruments
41
Tenor Sax
Reed Instruments
42
Bagpipe
Reed Instruments
43
Flute
Flute
44
Clarinet
Reed Instruments
45
Shakuhachi
Flute
46
VPM Brass
Brass
47
Final Brass
Brass
48
SyntH HORN
Brass
49
Acoustic Bass
Bass
50
E.Bass 1
Bass
51
E.Bass 2
Bass
52
BoostSaw
Bass
53
ElectroBass
Bass
54
88 bass
Bass
55
Rez Bass 1
Bass
56
Rez Bass 2
Bass
57
Rez Bass 3
Bass
58
Rez Bass 4
Bass
59
Disco Bass
Bass
60
VPM Bass 1
Bass
61
VPM Bass 2
Bass
62
Attack Bass
Bass
63
Dust Bass
Bass
64
Detune Bass
Bass
65
Cyber Bass
Bass
66
PUMP MOD BASS
Bass
67
Com Electo bass
Bass
68
Soft Lead
Synth Lead
69
Urban Lead
Synth Lead
70
HiReso Lead
Synth Lead
71
MS20 Lead
Synth Lead
72
Octave Lead
Synth Lead
73
Drive Lead
Synth Lead
74
Rave Lead
Synth Lead
75
Hook Lead
Synth Lead
76
Dual Square
Synth Lead
77
SynWire 1
Synth Lead
78
SynWire 2
Synth Lead
79
Sync Loop
Synth Lead
80
White Pad
Synth Pad
81
Noise Pad
Synth Pad
82
FLANGER PAD
Synth Pad
83
Square Pad
Synth Pad
84
5th Pad
Synth Pad
85
Octave Pad
Synth Pad
86
5th Sine
Synth Pad
87
5th Saw
Synth Pad
88
5th SQU
Synth Pad
89
Short Arp
Synth Misc
90
Auto Arp
Synth Misc
91
Unison Stab
Synth Misc
92
Uni Pumper
Synth Pad
93
Dirty Trance
Synth Misc
94
5th Stab
Synth Misc
95
Poly Comp
Synth Lead
96
Detune Square
Synth Lead
97
Dark Synth
Synth Pad
98
Noisy Comp
Synth Lead
99
Rising Pad
Synth Pad
100
LPF Sweep Pad
Synth Pad
101
HPF Sweep Pad
Synth Pad
102
Wave Sweep
Synth Pad
103
Tremolo Sign
Synth Pad
104
Palawan
Synth Pad
105
Atmosphere
Synth Pad
106
Phaser stab
Synth Misc
107
DECI GRAIN
Synth Pad
108
Marimba
Mallet Instruments
109
Vibraphone
Mallet Instruments
110
Music Box
Mallet Instruments
111
Kalimba
Mallet Instruments
112
Glockenspiel
Mallet Instruments
113
Tubular Bell
Mallet Instruments
114
Steel Drum
Mallet Instruments
115
Gamelan
Mallet Instruments
116
Plant Pot
Mallet Instruments
117
A.Guitar Nylon
Guitar
118
A.Guitar Steel
Guitar
119
E.Guitar Clean
Guitar
120
Pops Nylon Guitar
Guitar
121
E.Guitar Distortion
Guitar
122
Rock Dist Guitar
Guitar
123
Ukulele
Plucked Strings
124
Harp
Plucked Strings
125
Koto
Plucked Strings
126
Shamisen
Plucked Strings
127
Santur
Plucked Strings
128
Sitar&Tambula
Plucked Strings
Berlin
This is a synthesizer gadget with a classical design that’s optimized for lead sounds. It provides a sync oscillator that can generate complex overtones, delivering diverse sounds with a sense of modulation.
VOLTAGE CONTROLLED LOW PASS FILTER
FREQ.
This sets the cutoff frequency of the filter.
RESO.
This sets the resonance of the filter.
EG
This sets the depth of the modulation where the EG1 will affect the cutoff frequency.
LFO
This sets the depth of the modulation where the LFO will affect the cutoff frequency.
KBD
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.
VOLTAGE CONTROLLED AMPLIFIER
A (Attack)
This sets the amount of time from note-on until the attack level is reached.
D (Decay)
This sets the amount of time from when the attack level is reached until the sustain level is reached.
S (Sustain)
This sets the sustain level.
R (Release)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
LEGATO
This switches the legato on/off.
DELAY
TIME
This sets the delay time.
LEVEL
This sets the delay level.
SPREAD
This sets the width for how far the delay sound will be panned.
LEVEL
This sets the output volume.
PORTA.
This sets the pitch glide speed.
BEND
This sets the pitch bend.
VIB.
This sets the pitch bend.
VOLTAGE CONTROLLED OSCILLATOR
PITCH
This adjusts the pitch that produced by the oscillator.
WAVEFORM
This selects the waveform of the oscillator.
BALANCE
This adjusts the pitch balance of the tone.
MOD
This sets the depth of the modulation for the oscillator.
TONE
This adjusts the tone of the oscillator.
EG/LFO
This selects EG or LFO as the sync modulation source.
ENVELOPE GENERATOR
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time until the level becomes 0 after the attack level is reached.
LOW FREQUENCY OSCILLATOR
SHAPE
This selects the LFO waveform.
FREQ
This sets the LFO frequency.
KEY SYNC
If this setting is On, the LFO will be reset at each note-on.
TEMPO SYNC
If this is On, the LFO frequency will synchronize to the tempo of the song.
Chicago
This is a straightforward acid house bass gadget with a shiny silver metal body. It featuresa “Bite” filter that covers the range from classic, “sticky-sounding” synth bass to intensely distorted aggressive sounds. There’s a built-in arpeggiator and multi-effect, so your creations will have plenty of variety.
OSCILLATOR WAVE
This selects the waveform of the oscillator.
GLIDE
This sets the pitch glide speed.
ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
AMPLIFIER ENV/GATE
This selects the envelope source that will produce change in the volume.
LEVEL
This sets the volume.
ARPEGGIATOR
ON
This switches the arpeggiator on/off.
RANGE
This sets the range of octaves where the arpeggio will be played.
MODE
This selects the arpeggio type.
SPEED
This sets the performance speed of the arpeggiator.
FILTER
CUTOFF
This sets the cutoff frequency of the filter.
PEAK
This sets the resonance of the filter. This sets the amount of modulation which the EG will use to affect the cutoff frequency.
BITE
This sets the amount of drive for the filter.
GNAW
This gives a unique frequency change to the filter input, changing it to an aggressive sound.
EFFECT
TYPE
This selects the effect type.
EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.
EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.
Phoenix
This polyphonic synthesizer gadget offers classic, vintage design and sound. Its painstaking analog emulation provides analog sound with warmth and presence. This is an all-around synth that you can use for chordal backing, pad sounds, or anything else.
OSCILLATORS
PITCH 1
This sets the pitch of oscillator 1.
PITCH 2
This sets the pitch of oscillator 2.
BALANCE
This adjusts the volume balance of oscillator 1 and oscillator 2.
WAVEFORM 1
This selects the waveform of the oscillator 1.
WAVEFORM 2
This selects the waveform of the oscillator 2.
PULSE WIDTH
This sets the width of pulse wave.
PORTA.
This sets the pitch glide speed.
OSC 2 DETUNE
This sets the detuning for oscillator 2.
FILTER
FREQUENCY
This sets the cutoff frequency of the filter.
RESONANCE
This sets the resonance of the filter.
ENV AMT.
This sets the amount of the modulation produced by using the EG to modulate the cutoff frequency.
KBD AMT.
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.
ENVELOPES
FILTER ENVELOPE, AMPLIFIER ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
PITCH
BEND RANGE
This sets the pitch bend range.
BEND WHEEL
This sets the pitch bend.
VIBRATO RATE
This sets the vibrato speed.
VIBRATO WHEEL
This sets the depth of the vibrato.
MODULATION
LFO
WAVEFORM
This selects the LFO waveform.
RATE
This sets the LFO speed.
BPM
If this is On, the LFO speed will synchronize to the tempo of the song.
KEY
If this setting is On, the phase of the LFO will be reset at each note-on.
DEPTH
PULSE WIDTH
This sets the depth of the modulation produced by using LFO to modulate the pulse width.
FILTER
This sets the depth of the modulation produced by using LFO to modulate the cutoff frequency of the filter.
AMP
This sets the depth of the modulation produced by using LFO to modulate the volume.
DELAY
LEVEL
This sets the delay level.
TIME
This sets the delay time.
TONE
This sets the tonal character of the delay.
MASTER
LEVEL
This sets the volume.
DETUNE
This sets the amount of detuning when “UNISON” is turned on.
UNISON
This switches the unison on/off.
Miami
This gadget plays the bass sounds that are indispensable for today’ s electronic music. It features an “ X-MOD” oscillator that generates complex overtones and modulation, and a “ CRUSH” filter that adds distinctive noise. “ WOBBLE” modulation lets you shift the character to produce a wobble sound evocative of an evil monster, often heard in Brostep and Dubstep.
CARRIER
WAVE
This selects the waveform of the carrier oscillator.
PITCH
This adjusts the pitch produced by the carrier oscillator.
LEVEL
This sets the volume of the carrier oscillator.
SUB
This sets the volume of the sub oscillator.
X-MOD
WAVE
This selects the waveform of the cross-modulation oscillator.
DEPTH
This sets the depth of the cross-modulation.
LEVEL
This sets the volume of the cross-modulation oscillator.
TUNE
This adjusts the pitch produced by the cross-modulation oscillator.
FILTER
CUTOFF
This sets the cutoff frequency of the filter.
CRUSH
This adds a unique texture to the filter.
WOBBLE
This sets the modulation of the filter LFO.
SHAPE
This selects the LFO waveform.
RATE
This sets the LFO speed.
MASTER
STEREO
This adjusts the spread of the output orientation.
GLIDE
This sets the pitch glide speed.
OUTPUT
This sets the volume.
Wolfsburg
This gadget is a collection of distinctive analog synthesizer waveforms that have been resampled using digital technology. It provides two effect units and four modulation matrix systems, and is distinctive for a dynamic and powerful sound that matches its tasteful, black-themed panel layout.
OSCILLATOR 1, 2
WAVEFORM
This selects the waveform of the oscillator.
PITCH
This adjusts the pitch produced by the oscillator.
LEVEL
This sets the volume of the oscillator.
DETUNE
This sets the amount of detuning.
OSCILLATOR COMMON
VOICE MODE
This sets how note will be played.
NOISE
This sets the volume of the noise generator.
OUTPUT
This sets the volume.
PORTAMENTO
This sets the pitch glide speed.
FILTER
FILTER TYPE
This selects the filter type.
CUTOFF
This sets the cutoff frequency of the filter.
RESONANCE
This sets the resonance of the filter.
ENVELOPE
This sets the amount of the modulation to which the EG will affect the cutoff frequency.
AMP
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
LOW FREQUENCY OSCILLATOR 1, 2
WAVEFORM
This selects the LFO waveform.
BPM SYNC
If this is On, the LFO speed will synchronize to the tempo of the song.
SPEED
This sets the LFO speed.
KEY SYNC
If this setting is On, the phase of the LFO will be reset at each note-on.
MODULATION ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
MODULATION MATRIX
SOURCE A, B, C, D
This sets the modulation source.
DESTINATION A, B, C, D
This sets the modulation destinations.
AMOUNT A, B, C, D
This sets the amount of the modulation.
EFFECT 1, EFFECT 2
TYPE
This selects the effect type.
EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.
EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.
Brussels
This synthesizer gadget has a simple and carefully considered parameter structure with an intuitive user interface. The thick unison tones that emanate from this futuristic design will give you the lead sounds that you need for any type of electronic music.
PERFORMER
PUMP
This sets the depth of the pumping effect.
REPEAT
This sets the depth of the repeat effect.
GENERATOR
BOTTOM
This sets the volume of the sub oscillator.
GLIDE
This sets the pitch glide speed.
DIFFUSE
This sets the spread of the sound.
FILTER
This sets the cutoff frequency of the filter.
TWIST
This sets the modulation depth for the oscillator.
OUTPUT
LEVEL
This sets the overall volume.
REVERB
TONE
This sets the reverberation tone.
LEVEL
This sets the reverberation level.
Dublin
This is a semi-modular synthesizer gadget with classic, vintage looks. It’s especially good for deep bass sounds. In addition to being capable of straightforward yet deep subtractive synthesis with a plain waveform and filter, it also lets you enjoy a wide range of varying tones by changing the patching.
VCO 1
WAVEFORM
This selects the waveform of oscillator 1.
SHAPE
This sets the pulse width when the WAVEFORM is set to Pulse.
SCALE
This adjusts the pitch produced by oscillator 1, in octaves.
VCO 2
WAVEFORM
This selects the waveform of oscillator 2.
TUNE
This adjusts the pitch produced by the carrier oscillator 2.
SCALE
This sets the pitch produced by the oscillator 2, in octaves.
MIXER
VCO 1
This sets the volume of oscillator 1.
VCO 2
This sets the volume of oscillator 2.
NOISE
This sets the volume of the noise generator.
VCF
CUTOFF
This sets the cutoff frequency of the filter.
PEAK
This sets the resonance of the filter.
KBD AMT
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.
VCA
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time it will take for the level to change from the attack level to the sustain level.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
KEYBOARD
PORTA
This sets the pitch glide speed.
LEGATO
When this is turned on, each note is played legato when sliding along the keyboard.
MASTER
VOLUME
This sets the volume.
DRIVE
This sets the amount of the output drive.
TONE
This adjusts the tone.
MG 1, MG 2
MG OUT
To connect patch cables and select the modulation destination for the MG (modulation generator).
AMOUNT
This sets the amount of modulation for the MG (Modulation Generator).
BPM
If this is On, the frequency of the waveform will synchronize to the tempo of the song.
KEY
If this setting is On, the waveform will be reset at each note-on.
WAVEFORM
This selects the waveform of the MG (Modulation Generator).
FREQ
This sets the frequency of the waveform.
ENVELOPE GENERATOR
EG OUT
To connect patch cables and select the modulation destination for the EG.
AMOUNT
This sets the amount of modulation for the EG.
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
PATCHBAY INPUTS This sets the modulation destinations for MG1, MG2 and the EG. Any of the following parameters can be set as the modulation destination.
VCO 1 SHAPE
Pulse width when PULSE is selected as the waveform in VCO1
VCO 1 & VCO 2 PITCH
The pitch of VCO 1 and VCO 2
VCO 2 PITCH
The pitch of VCO 2
VCO 1 LEVEL
The volume of VCO1
VCO 2 LEVEL
The volume of VCO2
NOISE LEVEL
The volume of noise
VCF CUTOFF
Cutoff frequency of filter (VCF)
VCA GAIN
Total volume
MG1 FREQ
Speed of MG1
MG2 FREQ
Speed of MG2
Kiev
The yellow body of this synthesizer gadget projects the impression of a secret weapon hidden in an industrial zone. It features “ vector synthesis” using four oscillators that generate organic, spacey sounds. Use the touchpad to intuitively control the mysterious “ warp” sound that seems to contort space itself.
OSC MORPHER
TOUCH-PAD
This adjusts the volume balance of oscillator A, B, C, and D.
A/B DEPTH
This sets the amount that the volume balance of oscillators A and B are changed.
A/B SPEED
This sets the speed at which the volume balance of oscillators A and B are changed.
C/D DEPTH
This sets the amount that the volume balance of oscillators C and D are changed.
C/D SPEED
This sets the speed at which the volume balance of oscillators C and D are changed.
OSCILLATOR
WAVEFORM A
This selects the waveform of the oscillator A.
WAVEFORM B
This selects the waveform of the oscillator B.
WAVEFORM C
This selects the waveform of the oscillator C.
WAVEFORM D
This selects the waveform of the oscillator D.
PITCH A
This adjusts the pitch of the oscillator A.
PITCH B
This adjusts the pitch of the oscillator B, in half-steps.
PITCH C
This adjusts the pitch of the oscillator C, in half-steps.
PITCH D
This adjusts the pitch of the oscillator D, in half-steps.
TUNE B
This adjusts the pitch of the oscillator B, in semitone-steps (±100 cents).
TUNE C
This adjusts the pitch of the oscillator C, in semitone-steps (±100 cents).。
TUNE D
This adjusts the pitch of the oscillator D, in semitone-steps (±100 cents).
FILTER
TYPE
This selects the filter type.
CUTOFF
This sets the cutoff frequency of the filter.
PEAK
This sets the resonance of the filter.
ENVELOPE
This sets the amount of the modulation which the EG will use to affect the cutoff frequency.
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
EFFECT
TYPE
This sets the effect type.
EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.
EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.
MASTER
LEVEL
This sets the volume.
AMPLIFIER ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
Chiang Mai
This is a polyphonic synthesizer gadget that features VPM (Variable Phase Modulation) synthesis. With a subdued gold body, this gadget is particularly good at sparkling metallic bell sounds.
OSCILLATORS (1, 2)
LEVEL
This sets the volume of the oscillator.
WAVEFORM
This selects the waveform of the oscillator.
PITCH
This adjusts the pitch produced by the oscillator.
HARMONICS
This sets the frequency of the VPM (Variable Phase Modulation) modulator as a harmonic multiple of oscillator.
DEPTH
This sets the depth of VPM.
ENV
This sets the amount of modulation which the EG will use to affect the depth of the VPM.
FILTER
FREQUENCY
This sets the cutoff frequency of the filter.
RESONANCE
This sets the resonance of the filter.
ENV AMT
This sets the amount of the modulation which the EG will use to affect the cutoff frequency.
KBD AMT
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.
ENVELOPE (FILTER, AMPLIFIER)
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
CHORUS
SPEED
This sets the speed of the effect.
DEPTH
This sets the depth of the effect.
DELAY
TIME
This sets the delay time.
LEVEL
This sets the delay level.
OUTPUT
LEVEL
This sets the volume.
Helsinki
This is a pad sound gadget that’s easy to use for genres such as Ambient or Chillwave. The subtle yet deep sound played through lo-fi and reverb effects, conveyed through the floating interface, creates an atmosphere that is both nostalgic and futuristic.
LOFI
FREQ
This sets the roughness of the sound and the frequency of the digital meter.
MIX
This sets the amount of the effect sound mixed with the dry sound.
REVERB
TIME
This sets the reverberation time.
LEVEL
This sets the reverberation level.
OUTPUT
LEVEL
This sets the volume.
GENERATORS
WAVE
This selects the waveform of the oscillator.
LOW
This sets the low range level of the oscillator.
HI
This sets the high range level of the oscillator.
HIGHER
This sets the higher range level of the oscillator.
NOISE
This sets the volume of the noise generator.
FILTER
TYPE
This selects the filter type.
FREQ
This sets the cutoff frequency of the filter.
RESO
This sets the resonance of the filter.
ENVELOPE
A
This sets the amount of time from note-on until the attack level is reached.
D
This sets the amount of time from when the attack level is reached until the sustain level is reached.
S
This sets the sustain level.
R
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
Kingston
This polyphonic synthesizer gadget is optimized for 8-bit game sounds. The timeless waveforms that still exemplify the sounds of a computer are provided in the oscillator section, and there are also “ JUMP” and “ RUN” functions that make those sounds even more bizarre. You can also use effects to additionally deform the sound.
RUN!
TYPE
This selects the run type.
SPEED
This sets the performance speed of the run.
ON/OFF
This switches the run on/off.
EDIT
WAVEFORM
This selects the waveform of the oscillator.
TRANSPOSE
This adjusts the pitch of the oscillator.
ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
SUSTAIN
This sets the sustain level.
RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.
EFFECT
TYPE
This sets the effect type.
EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.
EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.。
LEVEL
This sets the volume.
JUMP!
HEIGHT
This sets the height of jump.
ON/OFF
This switches the jump on/off.
Warszawa
The Sophisticated Wavetable Synthesizer "ELECTRIBE Wave", capable of creating innovative and cutting-edge sounds, has been Gadgetized. Unlike a PCM synth, a wavetable synthesizer allows you to repeatedly play fragments of short waveforms and change the waveform position during playback. By combining a wavetable oscillator with a powerful filter and two modulation units, you can create a variety of sounds.
ARP (Arpeggiator)
Switch
Switches the arpeggiator on/off.
TYPE
Selects the pattern that the arpeggiator will play.
SPEED
Sets the arpeggiator playback speed. This also sets the ratio for the tempo setting.
Gate Time
Sets the offset for the gate time (how long each sound is)
VOICE
Voice Mode
This switches between monophonic and polyphonic sound.
GLIDE
Sets the transition time from one note to another.
TRANSPOSE
Adjusts the pitch of the oscillator in steps of one semitone (100 cents)
OSCILLATOR
EG INT
Sets the POSITION amount for the wavetable driven by the EG.
POSITION
Sets the position at which the selected wavetable is played back.
OSCILLATOR
Tap to select wavetables and PCMs from the list.
MOD Type
You can set the modulation as shown below when selecting a wavetable for the oscillator.
OFF
Modulation is not used.
SYNC
This type of oscillator resets the phase of the waveform for oscillator B (slave) according to the timing of the frequency of oscillator A (master), which generates overtones. Use the PITCH to adjust the pitch of the slave’s waveform.
X-MOD
This type of oscillator modulates oscillator A (the carri-er) with the waveform outputted by oscillator B (the modulator), which generates complex overtones. This allows the oscillator to be modulated at a higher frequency than when using an LFO. Use DEPTH and MOD PITCH for modulation.
VPM
This sets the frequency of the VPM (Variable Phase Modu- lation) modulator as a harmonic multiple of oscillator.
NARROW
This plays back the wavetable’s waveform at high speed.
REFRECT
Plays the wavetable’s waveform back in reverse from the end.
SUB OSC
Plays the sub-oscillator. Set the volume using LEVEL, and the octave value within a range of -2 to 0 using OCTAVE.
FILTER
Filter Type
This selects the filter type.
CUTOFF
Sets the cutoff frequency. Higher values will produce a brighter sound.
PEAK
This emphasizes the overtone spectrum near the cutoff frequen- cy, adding a distinctive character to the sound. Higher settings will emphasize the overtones, increasing the resonance effect.
EG INT
This sets the intensity with which the cutoff is changed by the EG.
UNISON
DETUNE
This sets the amount of detuning.
UNISON NUMBER
Sets how many parts are played in unison.
SPREAD
Sets the width (stereo spread) of the sounds played in unison.
AMP
LEVEL
Adjusts the volume level of the oscillator.
GATE/EG
Select whether the sound is played using an EG or GATE.
EG
ATTACK
This sets the amount of time from note-on until the attack level is reached.
DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.
RELEASE
This sets the amount of time required for the sound to dissipate after the note off.
IFX
This is used to add various sonic effects to the sound.
IFX Type
This selects the IFX type.
Edit.1 / Edit.2
Adjusts the insert effect parameters.The change in sound will differ, depending on the type of effect.
EQUALIZER
LOW
Adjusts the level of the low-frequency range of the sound.
HIGH
Adjusts the level of the high-frequency range of the sound.
MODULATION 1/2
SPEED
This sets the modulation speed.
BPM
If this is on, the frequency of the waveform will synchronize to the tempo of the song.
KEY
If this setting is on, the waveform will be reset with each note- on. The KEY1 setting makes each voice reset when they are played, whereas the KEY2 setting resets all voices once a voice is played.
DEPTH
Adjusts the depth of the effect that’s produced by the modulation.
Wave Form
This selects the waveform of the MG (modulation generator)
Modulation.destination
This selects the parameter that will be modulated.
SHAPE
Applies modulation to the modulation waveform.
Drum Gadget
London
This is a drum sound module gadget designed specifically for dance music. True to its simple, straightforward looks, it instantly gives you a performance-ready drum kit. There are more than 400 samples that will cover your needs for a variety of dance music formats including Electro, Minimal, Dubstep and so on. It also provides three effects that you can use on each part, as well as a master effect.
PART 1...8 EDIT
WAVEFORM
This selects the waveform that will be used by each part.
TUNE
This adjusts the pitch for each part.
TIME
This sets the decay time for each part when TRIGGER is set to ONESHOT.
This sets the release time for each part when TRIGGER is set to GATE.
TRIGGER
This selects the trigger type for each part.
PART 1...8 FX
Punch
This sets an attack-emphasizing effect for the output signal of a part.
Low Boost
This sets the boost for the low range.
REV (Reverse)
This switches the reverse on/off for each part.
MFX (Master Effect Send)
This sets whether or not the sound for the part is sent to the master effect.
PART 1...8 MIXER
Pan
This sets the panning value for each part.
M (Mute)
This determines whether or not the part will sound.
Group
This groups parts. Parts that share the same settings are combined into one group and the last note is given priority, producing a monophonic sound.
This is effective, for example, when playing with the closed and open sounds of the hi-hat grouped.
LEVEL
This sets the volume for each part.
EFFECT
TYPE
This sets the effect type.
EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.
EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.。
MASTER
LEVEL
This sets the volume.
Tokyo
This is a drum gadget that collects four compact analog-type drum sound modules into a single package. Each module gives you parameters that are tuned respectively to kick, snare, tom and percussion sounds, allowing you to experience the distinctive enjoyment of creating sound with analog modules.
BD201
WAVE
This selects the waveform.
TUNE
This sets the pitch.
DECAY
This sets the length of the sound.
BEND
This sets the amount of bend.
BOOST
This sets the amount of low boost.
LEVEL
This sets the volume.
PAN
This sets the paning value.
SD302
TUNE
This sets the pitch.
DECAY
This sets the length of the sound.
NOISE
This sets the tonal character and modulation of the noise.
SNAPPY
This sets the amount of noise in the snare.
PUNCH
This emphasizes the attack.
LEVEL
This sets the volume.
PAN
This sets the paning value.
TOM404
TUNE
This sets the pitch.
DECAY
This sets the length of the sound.
BEND
This sets the amount of bend.
NOISE
This sets the amount of noise.
LEVEL
This sets the volume.
PAN
This sets the paning value.
PCS503
TUNE
This sets the pitch.
DECAY
This sets the length of the sound.
SHAPE
This selects the modulation type.
DEPTH
This sets the modulation depth.
SPEED
This sets the modulation speed.
LEVEL
This sets the volume.
PAN
This sets the paning value.
Amsterdam
With the beefy looks of a gold body sporting chrome knobs, this is a four-part PCM sound module gadget containing more than one hundred sound effects that give impact to your song, including one-shot sounds, synth sounds, and scratches. It also contains numerous chord samples, allowing you to create chord progressions as if you were assembling a collage.
EFFECT
TYPE
This selects the effect type
EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.
EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.
MASTER
MASTER
This sets the overall volume.
PART 1...4
LEVEL
This sets the volume for each part.
PAN
This sets the panning value for each part.
WAVE
This selects the waveform for each part.
TUNE
This sets pitch for each part.
TIME
This sets the decay time for each part.
EG MODE
This sets the decay time for each part.
FX SEND
This switches the send on/off for effect.
REVERSE
This switches the wave plays in reverse.
Effects
EFFECT TYPE
EDIT 1
EDIT 2
Bypass
No effect
Peak EQ
Emphasizes a specific frequency
Frequency
Gain
2Band EQ
Emphasizes the low or high frequency
Low Gain
High Gain
LPF
Shaves off the higher frequency
Cutoff Frequency
Resonance
HPF
Shaves off the lower frequency
Cutoff Frequency
Resonance
BPF
Makes a specific frequency sound
Cutoff Frequency
Resonance
Comb Filter
Emphasizes a specific frequency to make it sound unique
Frequency
Feedback
Compressor
Adjusts the volume of the sound and makes it more powerful
